'Now You See It'

Call it sheer madness.

At designers’ shows like Valentino, the haute couture collection was an explosion of see-through black lace, ruffles and beading. Roberto Cavalli featured a brooding cast of male models sporting gauzy tanks in pastel colors with perforated leather pants.

Celebrities have caught on, with Transformer’s Megan Fox slipping into a sheer black dress for an appearance on the Late Show with David Letterman in June. Gossip Girl’s Leighton Meester bared all in a slinky jumpsuit at a July 28 Katie Perry concert in New York. Harry Potter’s rising fashion star, Emma Watson (the new face of Burberry), chose to show some skin in a geometric party dress while on another appearance last month.

Without being offensive or vulgar, sheer garments act as a filter – hiding what you don’t want others to see and revealing what you do. It’s the easiest way to elevate your look, turning the volume up from flirty to sexy.

Plus, sheer is a look that not only works on all body types, but in the home too (as long as the fit and styling are executed well).

Fresh and light, voile curtains are synonymous with summer décor. The curtains fall gracefully, whisking the floor with the slightest wind. They provide coverage, but still allow light to pour into a room. Affordable ($12.99), machine washable and requires little to no styling. In my home, black embroidered voile hanging from valences draw contrast to my sheer curtains.

A glass top coffee table adds instant glamour. The same way mirrors open a small space, a glass table pretends to take up even less room! This Huron coffee table ($515) is a statement piece with the innovative design of its black base and glass top.

This sheer leopard print ($88) by Patterson J. Kincaid recently made it to my own wardrobe for its slinky cut and seemingly casual style. With its longer hem and fullness in the back, the Henley appears to float as you walk. Works best with longer pants or leggings at the bottom, but if long enough, can also be combined with mini-skirts and cut-offs.

Call it whatever you want. Sheer is what’s hot this summer.

-S. Gonzalez

*Photos courtesy of justjared.buzznet.com; allcoffeetables.com; bloomingdales.com

'A Little Hospitality'

Southerners might be known for their hospitality. After adding a few decorative touches to the guest room, you will be too.

Thin, crisp summery mats not only complete the look of a room, but keep the ground cool underfoot. When temperatures start to dip, just roll it up and replace with the cushy winter rugs. A whimsy print in and teal or lime by Koko Company ($60-$90) are extremely versatile.

When was the last time you changed the pillows on the guest bed? Do you leave the guest room for last when it comes to changing the décor? No more bland pillows in foreboding colors. Allow guests to relax after a long trip with this lasting pillow in a mosaic pattern, floral, or multi-stripe ($14.99-$19.99) at Décor Innovation.

On a similar note, a please-all bedspread in a neutral pattern might lack personality if your décor is less French country and more neoclassic. Isn’t it important that they be comfortable and have a memorable stay? An exotic animal print is guaranteed to remind your guests of their gracious and adventurous host. This cheetah bed cover set ($119.99), complete with the duvet, sham and pillow cover, is made of 100 percent microplush fabric – which is softer than regular fleece and other fabrics.

A must-have for any guest room, a clear Plexiglass rack ($89) will hold up your guests’ luggage. Unlike its metal version, the clear legs of this rack are more luxurious and just as practical.

Just like coffee tables make a great to keep picture books for guests to rifle through, so do nightstands. For the overnighters or troubled sleepers, Furnish Furniture and Interior Design for the 21^st Century takes a look at masterful works of arts that are reinventing the interior design industry. Very Vintage: The Guide to Vintage Patterns and Clothing (left) includes not only photographs of iconic vintage fashions, but previously unpublished sketches.

Lights out! A blackout tie-up curtain shade in colors like royal blue, sage and turquoise ($34.99) will do the trick. The tie-up creates ruches in the center, softly draping at the sides. And it makes sure your guests get the best rest by blocking out unwanted noise and sunlight.

Who needs Southern hospitality when there’s a host like you!

-S. Gonzalez

*Photos courtesy of pillowsandthrows.com and decorinnovation.com

'History Lesson in Houses'

Out of Long Island’s North Shore, Jeffrey Bilhuber created a home out of a seventeenth-century house by melding it with his own past, present and future.

The New York based decorator led Vogue’s Hamish Bowles on a grand tour of a country mansion named ‘Hay Fever,’ tucked under a blanket of beech wood and dogwood trees. The carefully executed renovation of the house structure and its interiors are a source of inspiration.

House-hunting Bilhuber settled on ‘Hay Fever’ for reasons many buy historic houses – its quality. “The houses got bigger,” he told Vogue. “But none of them got any better.”

The house was originally a one-story structure, built by Captain John Underhill in 1668 and added onto throughout the centuries. It was a private boys’ school in the 1840’s and later belonged to antiques collector and dealer Jane Robinson, known for her stone house on East Sixty-First Street in Manhattan, which is now the Abigail Adams Smith Museum.

But it was only until the 40’s when the house, nearing demolition, was acquired by Edith Hay Wyckoff and earned the moniker ‘Hay Fever.’

Bilhuber kept the house’s venerable past in mind – he had every tile and floorboard carefully removed so the infrastructure could be restored. For appropriate paint colors and trim of the period, Bilhuber did some leg work, consulting with curators.

The mansion has old English charm with tufted chairs in the living room in a shocking Prussian blue and purple hue, or charcoal gingham chairs in the playroom. In the bedrooms upstairs, Bilhuber mixes large florals, enlivened by wicker furniture and indoor fauna. Even the wallpaper in many of the rooms were a take on old classics – a lemon lime ‘Cadiz’ print and a red ‘Climbing Hydrangea.’

Perhaps the most breathtaking arrangement can be found in the Empire master bedroom, where incredible bolts of crimson linen create the illusion of a four-poster bed.

Amidst Bilhuber’s clever mix of old and new, the decorator is sure to include family heirlooms and precious keepsakes. A framed set of christening robes from his father and uncle hang above a pillow on printed with the British flag sitting on a sofa in the living room. Not far is a portrait of Johann Christoph on the wall, the decorator’s great-great-great-great-great- great-grandfather.

“I thought about all my ancestors when I thought about this house,” he told Vogue. “We all bring these memories that stay with us forever.”

-S. Gonzalez

*Photos courtesy of vogue.com

'Fit Like A Glove'

Are you afraid of a little nip and tuck?

No, I’m not talking about visiting a plastic surgeon. I’m talking about the relationship you have with your tailor.

Yes, there are many people who have few qualms when it comes to investing in plastic surgery. Far worse, there are the beauty and hair addicts with their vanities overflowing with creams, sprays, peels and wraps.

Surprisingly, most accessory and clothing queens do not have a tailor’s phone number and address filed into their Blackberry’s. I don’t. But that’s because I could hand-sew a zipper into a woman’s dress blindfolded.

In the latest August issue, Instyle Makeover ran a clever spread with the help of expert NYC tailor Jean Kormos on how a little snip and a tuck can transform any garment. The spread compared the garment before and after, and outlined the cost of each simple alteration.

Shortening the hem of a dress might cost $24 in New York, or typically $10 and up elsewhere. Kormos’ expert advice on alterations, however, is invaluable.

If finding a tailor through word of mouth doesn’t pan out, Kormos suggests visiting the Association of Sewing and Design Professionals Web site (paccprofessionals.org). Scheduling a consultation with the tailor and asking to see examples of the tailor’s work are strongly suggested. Always ask for an estimate – some heavily embroidered or embellished pieces may be too costly.

Once you’ve settled on a tailor, dry-clean the garment first before handing it over. This will relax the fibers and help the tailor in providing the best fit.

Tailors do not only fix hems and cuffs. They also cinch in the sleeves of a blouse, trim the waist/bustline, shave excess in jacket sleeves and narrow the inseam of a pant.

For hemming pants or the taking in of a bust line, be sure to bring the shoes and bra you intend to wear. Otherwise, the hem might fall too short. The bra, similarly, might make the new bust line look even more ill-fitting.

Other pointers: The sleeve of a jacket should always hit the wrist. The cuff of a man’s dress shirt should show a quarter of an inch from the jacket sleeve.

Most garments can be taken in up to two sizes without changing ‘the integrity of the garment.’ You will need to shop a smaller size if the piece needs to be altered more than two sizes.

Still afraid of a little nip and tuck?

-S. Gonzalez