'New York Fashion Week ReCap'

3.1 Phillip Lim SS11

And another New York Fashion Week has come and gone, but not without its own highlights:

3.1 Phillip Lim

Proving that aprons are not only for the kitchen, designer Phillip Lim sent a collection of varying top lengths on the runway that critics claimed was “one of [his] best and most refined collections to date.”

The designer experimented with garment construction, employing a mostly neutral palette with a few classic blues, black and white for some change. Lim incorporated sheers in his backless and side-less concoctions, which he paired with leather, organza and black lace.

Highlights of the Spring-Summer Collection included an organza top edged in black and decorated in black bobbing thread, worn over sage pants; a sheath dress in an abstract print with a geometric insert at the midsection; and collared tunic dresses in liquid-like transparent.

Anna Sui SS11

Anna Sui

Anna Sui channeled the 1970s on the West Coast with crochet dresses, paisley print shirts and homespun knit sweaters. Marking the 20th anniversary of the Anna Sui empire, the Spring-Summer collection was true to the print-loving, bohemian designer.

There were patch skirts and crochet tops accessorized with feathers, apron dresses edged in ruffles, denim jumpers, paisley print shifts and handkerchief hem dresses with fringe. Except unlike the artisanal wares of the seventies spun from affordable fabrics like cotton and wool, this collection was far from thrifty. Linen-lined tulle, flouncy chiffons and lace made this one collection not likely to ever wind up to a second-hand store.

Alexander Wang SS11

Alexander Wang

The fledgling designer opted to start on a clean slate for Spring-Summer, beginning his collection with all-white deconstructed looks with cargo styling and strips of gold. The collection was a deviation from Alexander Wang’s suited, Wall Street-inspired collection of Fall-Winter.

Wang emerged with cool green and silver (eventually evolving into a canary and terracotta palette), sportswear with a metallic sheen and splashy prints. The construction theme was evident in the carpenter pants in see-through whites. And to further drive the motif home, white splashes of paint accessorized the models’ hair.

The designer, who owes his success to his off-duty model street fashion, did rework in some of the Wang favorites: the motorcycle cross jackets and vests, the skinny sweat pant, and skirt with fold-over flaps.

-S. Gonzalez

*Photos courtesy of style.com